Resident Evil Village: Everything We Know

Resident Evil Village, stylized to include the roman numeral VIII in the title, is the next game in the main Resident Evil series. It is a direct follow-up to Resident Evil 7, but developer and publisher Capcom has been insistent on using its full title rather than an abbreviation like RE8 in order to stress the importance of the mysterious village at the heart of the game. We got our first look at Resident Evil Village during Sony’s PS5 reveal event in June. While we know some detail about the setting, characters, and how it ties in with the previous game, we don’t have a release date or other crucial information just yet.

Here’s what we know about Resident Evil Village so far. For more on upcoming games, check out our most anticipated games of 2021.

When Does Resident Evil Village Launch?

Resident Evil Village does not have an official release date yet, but we know it’s scheduled to launch sometime in 2021. A recent leak points to a possible April 2021 launch, but until we hear from Capcom officially, we cannot verify this information ourselves.

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The Best TV Episodes Of 2020

TV was our desert oasis in 2020, and these were our favorite coconuts.

There were a lot of shows we loved this year, and you can read all about them here. But when we really looked at 2020’s TV landscape, we found there were so many individual standout episodes that really stuck with us, that we just had to give them their own list.

Some of these shows didn’t quite make it onto one of our other lists, like the best sci-fi and horror of the year or the best comedies, but all of these episodes made our 2020 brighter, scarier, or simply more bearable in one way or another.

We have no doubt you’ve seen some of these. Does the name “Jackie Daytona” ring a bell? We’ll never forget what he did for our volleyball team. Do you have a favorite “quarantine episode” of a show produced from home this year? We do.

Keep reading to find out all about those and more individual episodes of television that we loved this year, then check out some of our other best-of-2020 galleries:

“The View From Halfway Down”

Bojack Horseman Season 6

Bojack has touched on plenty of some tough topics throughout its six season run as Bojack deals with addiction, codependency, being on both ends of abuse, and more. For a show as filled with bright colors and animal puns as Bojack is, it’s one of the darkest, too. No show has quite so genuinely captured the depths of depression the way “The View From Halfway Down” does. The episode ventures into Bojack’s subconscious as he drowns in the pool of his former home. He confronts his victims and victimizers alike as water and ooze drip down from above. It’s a hard watch, but it helps the show’s final season cash in on the many lessons Bojack has endured throughout the show, demonstrating that he is the way he is in part because of his mistakes, but without ever absolving him of that responsibility. – Eric Frederiksen

“Chapter 15: The Believer”

The Mandalorian Season 2

Disney’s first major foray into streaming content was bursting at the seams by the time the credits rolled on the finale. The once-grounded show has now featured multiple Jedi and name-dropped some major Star Wars personalities. Our favorite episode, though, is the one that re-grounds the show, even if for just an hour. The season’s penultimate episode, “The Believer,” has Mando borrowing one of his old enemies, Migs Mayfield (Bill Burr) from his prison sentence. Together, the two capture a truck hauling explosives. Not only does the episode feature one of the few wheeled vehicles ever seen in Star Wars, it’s almost certainly a tribute to a movie that Star Wars Episode IV crushed at the box office in 1977, Sorcerer. Director Rick Famuyiwa (DOPE) gives us a tense ride into an Imperial base where Mando realizes he’ll have to bend and twist at his boundaries to save Grogu, and gives us a rare look at the way the Empire’s war crimes scar their survivors. It’s here that Bill Burr proves he’s a great actor as well as a comedian. – Eric Frederiksen

“The One Where We’re Trapped on TV”

Legends of Tomorrow Season 5

Those of us who watch the CW’s Arrowverse shows have a love-hate relationship with most of them. Perhaps the most consistently shiny jewel in the network’s crown is DC’s Legends of Tomorrow, a show that has long since forgotten that it has anything to lose and does its own thing. The latest season had the Legends stuck in the hands of the literal Greek Fates. At their whim, the characters end up trapped inside television shows after the Fates rewrite reality, and the characters have to work through parodies of Friends (Buds), Downton Abbey (Highcastle Abbey), and Star Trek (Star Trip). The show switches between visual styles and tones of each parody, but always makes sure those moments resonate with those particular characters. Sara and Ava end up trapped on Star Trip, in the role of co-leaders. It works both as a parody of the Kirk/Spock relationship that literally spawned the concept of slash fiction, while also forcing these characters to consider what it means to be a leader and to make sacrifices. – Eric Frederiksen

“Sex Patrol”

Doom Patrol Season 2

Doom Patrol uses silly nightmares to poke fun at the worst excesses of X-Men and superhero soap operas, but never forgets to put its characters first. It’s not afraid to use the most absurd and horrifying concepts to tell its stories.The season’s fourth episode kicks off when the Dannyzens–outcasts who lived on the sentient, genderqueer street named Danny–return to try to bring Danny back from the brink of non-existence. One character’s ecstasy attracts the attention of a periscope-headed sex demon named The Shadowy Mr. Evans, while a Ghostbusters-themed crew called the SeX-Men show up to defeat him. This is all incredibly silly, and the show uses these stories to deal with things like Rita’s sexual trauma, Cliff’s physical inability to feel things, and a thousand reasons why an 11-year-old girl shouldn’t be living with any of these broken people. – Eric Frederiksen

“Rewind 1921”

Lovecraft Country

The worst thing that one can accuse Lovecraft Country of is being too ambitious. The show has the feel of a creator who’s worried she might not get another shot at this; she has to tell everything she can in a limited amount of space. But in its penultimate episode, “Rewind 1921,” Lovecraft Country gels together. It uses the burning of Black Wall Street as its frame; that was the night that the Freeman family perished during the riots and the Book of Names, which they needed to save Diana’s life, was destroyed. Our heroes travel back in time and meet their ancestors–not early enough to prevent their fiery fate, but early enough to ensure that the next generation will survive. Elsewhere, Tic makes peace with Montrose. Thanks to time loop paradoxes, it was he who saved his uncle’s life, all those decades ago. And it ends with a slow motion walk through fire, as Leti (played by Jurnee Smollett, in an Emmy-worthy performance) walks, invulnerable, down the main street as the planes drop bombs. The loss is palpable. – Kevin Wong

“The Spite Store”

Curb Your Enthusiasm Season 10

We’re ten seasons deep into Curb Your Enthusiasm, and it’s incredible how consistently funny and clever the show remains. Maybe the secret is in its triviality. This show has never pretended to be about more than the most granular, rich people problems that Larry David can conjure up; the insularity is the joke. In its season finale “The Spite Store,” it all blows up beautifully and karmically in Larry’s face. All the stupid, little decisions over course of ten episodes–nailing the tables to the floor, not installing a bathroom, hoarding a massive cache of Purell bottles, adds up to a massive fire that burns Latte Larry’s to the ground. “If I was trying to tell someone how to burn a place down, I would suggest every step you took in your business,” says the fire chief to Larry. “You did so many stupid things, it looks like arson.” Ouch. Spited by his own spite store. – Kevin Wong

“Butcher, Baker, Candlestick Maker”

The Boys Season 2

This was a tough one to narrow down, because I loved every single episode of The Boys Season 2. But when you look back at the season as a whole, there’s one clear standout: Episode 7, “Butcher, Baker, Candlestick Maker.” The whole hour is strong, with Stormfront and Homelander’s abduction of Ryan, Hughie and Lamplighter’s infiltration of Vought Tower to rescue Starlight, and Butcher’s confrontation with his dad. All these threads carried the theme of families in various states of chaos. But then it all ended with one of the most gruesome and unexpected bloodbaths we’ve ever seen on TV, cementing The Boys as one of our favorite shows ever, and this episode as one of the show’s best. – Mike Rougeau

“Quarantine”

Mythic Quest

Because of the COVID-19 pandemic, production shut down on many TV shows and movies. And morale across the country was down, so there were plenty of “Quarantine specials” from various shows. Because Mythic Quest is a workplace show, the special revolves around the Mythic Quest team working from home, trying to adjust to this new world. They deal with all the problems we’ve dealt with over the course of 2020: adjusting to working alone–or working from home when you have children–personal hygiene when you don’t have to go into an office, the never ending brigade of video meetings, and most importantly, dealing with being depressed and isolated. It has an incredibly touching moment between Poppy and Ian that every single person could relate to during this year. Mythic Quest’s quarantine episode completely encapsulates the gamut of emotions we all had during this very rough year. Also, it’s the only show with the gusto to end its episode with the best statement of 2020, “F*** you, coronavirus.” – Mat Elfring

“On the Run”

What We Do in the Shadows

What We Do in the Shadows is consistently one of the funniest shows on TV and nothing quite exemplifies its strengths quite as well as “On the Run,” the debut of the now iconic “Jackie Daytona,” a regular human bartender. Of course, Jackie is actually Laszlo (Matt Berry), who is–you guessed it–on the run from a debt in the form of a vampire played by Mark Hamill. Rather than pay off what he owes, Laszlo opts to high tail it to Pennsylvania (“because it sounds like Transylvania, and we all know that sounds cool”) where he takes over Lucky’s Bar and Grill and blends in to human society with a pair of blue jeans and a toothpick. In a show as consistently hilarious as What We Do in the Shadows, believe us when we say this one was something special. When you’re Jackie Daytona, you can do whatever you want–because you change lives. – Mason Downey

“The Way It Came”

The Haunting of Bly Manor

The fourth episode of The Haunting of Bly Manor encompasses a very specific fear, and it’s probably not the sort you’d expect–sure, there are ghosts and tragedy to go around, but the crux of the episode, the real spine-chilling moment, comes from the open and honest exploration of Dani Clayton’s closeted sexuality and the root of her trauma. In “The Way It Came,” we learn that Dani broke off an engagement to a childhood best friend on the eve of their wedding, not because she’d fallen in love with someone else, but because she realized that she couldn’t keep pretending to be happy. “It just became something we were doing,” she explains, tearfully, as her fiance tries to put the pieces together. It’s the sort of queer coming out story that gets glossed over in favor of the melodrama and theatricality of more easily packaged angles–ones where people come into understanding their sexualities through some sort of forbidden crush or torrid love affair–but it’s one we desperately need to see more of. – Mason Downey

“Episode 7”

Devs

Devs is a tricky show to break down episode-by-episode, with its dense and high-concept ideas flowing into one another in a way that really lends itself more to a binge than a weekly watch. However, if pressed to pick a favorite that could stand alone, the penultimate “Episode 7” does the trick in really exploring everything the show does best. The creeping existential dread of the Devs system actually working builds and builds to one of the most haunting moments of the show: Stewart’s recitation of Philip Larkin’s poem, Aubade. “Most things will never happen,” he reads over a montage of the show’s characters experiencing tragedies of their own, “this one will.” – Mason Downey

“How to Cook the Perfect Risotto”

How to with John Wilson

Executive produced by Nathan Fielder (Nathan for You, Canada business school graduate), How to with John Wilson is HBO’s docuseries following Wilson as he explains how, well, do things, and while the show is hilarious, there is a ton of heart to it. The season finale takes viewers on a journey as Wilson tries to learn how to make the perfect risotto for his loving elderly landlord. However, throughout Wilson’s journey, he tries to quit vaping and meets someone with a truck that pollutes the air. He keeps trying to make this perfect rice dish as he goes through nicotine withdrawal. Then, reality hits as during Wilson’s attempt to make risotto, the coronavirus hits New York City. It’s a grim and shocking reminder of when the world came crashing to a halt. Wilson explores stores that are empty and checkout lines that wrap around the entire building. People don’t know what’s going on, and it is an important documentation of how everything changed in America. – Mat Elfring

“The Vat of Acid Episode”

Rick and Morty

Rick and Morty had an uneven fourth season, and not just because half of it released in 2019 and half in 2020. But it had some of the show’s best episodes ever as well, and “The Vat of Acid Episode” belongs firmly in that category. What starts as a typical tiff between the titular characters grows into something totally unexpected. Morty goes on a life-changing journey, and the way it ends is both tragic and predictable. To top it off, the pay-off is maybe the hardest-earned in the show’s whole history. Naturally, it all goes back to one small slight against Rick, who will do anything to make a point–and so he does. – Mike Rougeau

Games Are Now Making More Than Movies And Sports Combined

While the COVID-19 pandemic has led to many challenges in the gaming industry, it hasn’t seen the industry at large get hit financially. Due to gaming being an at-home activity, the hobby has seen a huge uptick in both spending and playtime. As a result of safety regulations and quarantine restrictions, the gaming industry is now making more money than the movie and sporting industry combined.

According to data from the International Data Corporation (per MarketWatch), global gaming revenue is expected to be around $197.7 billion by the end of the year. That’s up roughly 20% from last year, and the significant rise can be contributed to the pandemic, the continued success of the Nintendo Switch, and the console launches for PlayStation 5 and Xbox Series S and X. In 2019, the film and sports industries brought in a combined $175 billion, and both are down significantly this year.

While console sales are on the rise, the biggest boost in gaming revenue has come from mobile gaming. Smartphone titles have seen an overall revenue boost of nearly 25% and are now up to a projected $87.7 billion. A bulk of that revenue comes from Asia and the Pacific region, as it makes up $56.6 billion.

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The Best Comedies Of 2020

2020 might not have been the happiest of years, but there were at least loads of hilarious movies and TV shows.

There wasn’t a huge amount to laugh about in real life in 2020, but luckily some very funny movies and TV shows provided light relief from the misery of a world struck down by a deadly pandemic. And comedy was one genre affected far less by the closure of movie theaters, with a steady stream of funny content hitting networks and streaming platforms throughout the year.

In terms of TV, there were some returning favorites as well as brand new series. The much loved Schitt’s Creek returned for its final season, Rick and Morty wrapped up Season 4, and What We Do In Shadows delivered its amazing second batch of episodes. Great new shows include Upload, Mythic Quest: Raven’s Banquet, Dave, and Ted Lasso, all of which are likely to be with us for many more years.

Despite the upheaval to cinema generally, it was one of the strongest years for comedy movies for a while. After all the controversy about Sonic’s design, the live-action Sonic the Hedgehog film surprised almost everyone by being genuinely very funny and entertaining. New movies from comedy veterans Judd Apatow and Seth Rogen counted among their best work, and after nearly 30 years, those much-loved, now middle-aged, metalheads Bill S. Preston, Esq. and Ted “Theodore” Logan returned for Bill and Ted Face the Music.So here’s GameSpot’s choices for the best comedy TV and movies of the year. And if you want more retrospective reading, check out the worst ranked movies of the year, best horror films and shows, and the best TV shows and movies you might have missed in 2020. And for a look into the future, check out our lists for the biggest upcoming movies, TV shows, horror movies, and anime to look forward to in 2021.

Mythic Quest: Raven’s Banquet

Obviously, this is GameSpot, so a TV show about game devs is going to be on our radar. However, that bias aside, Mythic Quest turned out to be a great and hilarious show. Created by some of the same writers of It’s Always Sunny in Philadelphia–Charlie Day, Megan Ganz, and Rob McElhenney–the series follows a successful developer as they push out a new update for their MMORPG. With some assistance in development of the Mythic Quest game footage and production from Ubisoft, the series delved into all aspects of game development and what devs have to deal with, including Twitch streamers, toxic players, and the economics of microtransactions. While all the characters featured on the show–a couple of whom are portrayed by actors Always Sunny–have their flaws, the ensemble cast balances itself perfectly as the series is incredibly well-written. It was the light-hearted romp we all desperately needed in 2020. – Mat Elfring

The King of Staten Island

Directed by Judd Apatow and based heavily on star/co-writer Pete Davidson’s life, The King of Staten Island sees Apatow tone down the broader comedic tendencies he showed in movies such as Knocked Up and Trainwreck. The results are still extremely funny, but the equal emphasis on drama means it delivers an emotional impact too. Davidson plays Scott, a listless 24-year-old who has never fully recovered from the death of his fireman dad when he was 7, and spends most of his days getting stoned with friends. But when his sister leaves for college and his mom meets another man, his life starts to unravel.

Like all Apatow movies, The King of Staten Island is a long film, clocking in at over 130 minutes. But while some of his earlier movies felt padded, this time it allows time for Apatow and Davidson to explore all the characters and their situations. There are great supporting performances from the likes of Marisa Tomei, Bill Burr, and Steve Buscemi, and Davidson proves himself to be an adept dramatic actor as well as a razor-sharp comedian. – Dan Auty

Dave

A fictionalized version of the story of David Burd, AKA Lil Dicky, a real-life joke rapper with songs like “Professional Rapper” (which is honestly very good), seems like not a great idea on paper. But FX’s comedy Dave managed to be one of the most delightful shows of the year, even if Dave talks about his gross dick way too much. Naturally, there were ups and downs for Dave, who believes he’s the greatest rapper of all time despite any evidence of that. But the prison saga in the finale was worth the price of admission alone, and this show gets real points for its thoughtful treatment of complex supporting characters like GaTa and Elliot. Keep it up, Dave, you’ll get there someday. – Mike Rougeau

Schitt’s Creek

The final season of Schitt’s Creek wasn’t the show’s best, but it was no slouch. It wrapped up the stories of the members of the Rose family, showing how much they’d all grown during their time in the small town of Schitt’s Creek, as seemingly everybody got the happy ending they deserved. What lands this show on the best comedies list isn’t its final season, though. Instead, it’s the fact that 2020 was the year so many people found Schitt’s Creek–whether on its home network of Pop, syndication on Comedy Central, or through streaming on Netflix. The show’s popularity skyrocketed this year, and it was capped off by sweeping the comedy awards at the 2020 Emmys, something that had never been done before, earning seven trophies to end its run. – Chris E. Hayner

Harley Quinn

Originally a DC Universe original animated series, before HBO Max picked it up, Harley Quinn is an adults-only series following none other than Harley Quinn herself. After dumping the Joker, Quinn sets to make a life for herself as a villain–and yes, this show does have the same relative plot as Birds of Prey, but hey, this show came out first. The second season deals with Poison Ivy’s upcoming marriage to Kite Man, while Harley battles other Batman villains and connects once again with the Clown Prince of Crime. While I’m not a Harley Quinn character fan per say, this show is impossible to deny. It’s incredibly witty and some of the funniest writing on TV. It feels a bit like Venture Bros. with DC characters. In a year filled with isolation and depression, Harley Quinn was the perfect medicine for the blues. – Mat Elfring

Upload

The Amazon Prime Video original series from The Office creator Greg Daniels was an absurdly funny twist on a futuristic dystopian society. When you die, you don’t really go away. Instead, you’re uploaded into a virtual afterlife which, depending on how rich you are, could be very nice. Then again, it could be terrible with data caps, drab surroundings, and far too many pop-up ads. It’s as much of a nightmare as one could expect living in the internet to be, but somehow Upload finds a way to make it an endearing tale of a man finding himself in the afterlife and learning that what he thought was a perfect life was a lie, a realization that sends ripples through both the world he used to inhabit and his digital afterlife. – Chris E. Hayner

Borat Subsequent Moviefilm

Unsurprisingly, Borat 2 is an absurdly timely movie, taking the piss out of Trump and his cohorts, as well as various other conservative figures ridiculous beliefs about things like the Clintons drinking children’s blood. But what is surprising is the fact that Borat 2 is pretty damn funny. If you liked the original Borat when it became a phenomenon almost 15 years ago, but are pretty sure it wouldn’t hold up to modern standards of political correctness and general decency–and rightly so–you might have been pleasantly surprised by Borat 2’s timeliness, focus, and more wholesome sensibilities. – Mike Rougeau

Sonic the Hedgehog

This year may have been one giant bummer, but it did provide some pleasant surprises on the big screen (back in the early months when those were still a thing). Case in point: Sonic the Hedgehog, which was way, way better than it had any right to be. In the title role, Ben Schwartz brought the energy and attitude Sonic needs. But it wasn’t all just speed gags and meta jokes; the movie’s heart came from a solidly funny story about friendship and family. Add in reluctant accomplice Officer James Marsden and a literally mustache-twirling Dr. Robotnik featuring Jim Carrey at his most Jim Carrey, and you have one of the best family movies of the year–not to mention one of the most enjoyable game adaptations ever. – Mike Rougeau

An American Pickle

Seth Rogen’s comedy about a man who falls into a vat of pickle brine and wakes up perfectly preserved 100 years later was one of the funniest surprises this year. It’s an inherently stupid concept, which the movie fully acknowledges when Herschel Greenbaum (Rogen) remarks in heavily accented voiceover that “the scientist explains, his logic is good, it satisfies everyone.” Having awakened in present day NYC, Herschel meets his great grandson Ben Greenbaum (also Rogen). That setup makes it sound like you’ll have heard every joke in the movie 100 times before, but Pickle goes to some delightfully unique places to find both humor and heart. And it’s streaming on HBO Max, which, let’s be honest, you’re subscribed to for Wonder Woman 1984 anyway. – Mike Rougeau

What We Do in the Shadows Season 2

What We Do in the Shadows was already one of the funniest shows on TV back with its first season, but somehow Season 2 only improved on the formula. Vampire roommates Nadja, Laszlo, Nandor the Relentless, and Collin Robinson–plus Nandor’s human familiar Guillermo–are absurdist comedy at its finest, blending and endless, revolving door of insane cameos from A-list celebrities with mile-a-minute slapstick gags that position the vampires in all sorts of wacky scenarios ranging from the mundane to the deeply supernatural. Struggling to find sinkholes made by decomposing bodies in the yard? Check. Warring against corporate monotony (as an energy vampire) and somehow winding up working up the bureaucratic ladder despite yourself? Check. And of course–this season’s stand out: the debut of Jackie Daytona, a regular human bartender. You just can’t get any better. – Mason Downey

Ted Lasso

On paper, Ted Lasso sounds like just one more situational sports-adjacent comedy. Jason Sudeikis plays a great straight man, but he doesn’t inspire confidence as a lead. All those assumptions prove unfounded, though, as you dive into the ultra-positive, earnest, and upbeat world of Ted Lasso, a mustachioed, drawling American football coach who moves to England to coach UK football, an act of subtle sabotage that Ted gradually but fully subverts through sheer likability. The show is rarely saccharine, though; Ted is a guy who always does his best, even while the world around him completely sucks. He inspires the people around him to want to do their best, too. And he doesn’t always succeed, but you’ll find yourself rooting for him either way. This was the exact show we needed in 2020. – Mike Rougeau

Bill and Ted Face the Music

It was a long road to get a third Bill and Ted movie made. Over more than a decade, the writers and stars of the first two movies worked to make it a reality, then in 2020 it finally happened–albeit with a largely digital release, due to the pandemic. Nevertheless, more than 30 years after the first film hit theaters, was there still magic in the story of Bill S. Preston, Esq. (Alex Winter) and Ted “Theodore” Logan (Keanu Reeves)? The answer was a resounding yes, as the film found a now-adult Bill and Ted still unable to write the song that would save the world. Facing their own failed potential, they try one last time to unite all of reality in a movie filled with hope, joy, laughs, and a look to the future–their own children. What makes Bill & Ted Face the Music so special is that it’s a generational story, as the Wyld Stallyns realize–and embrace– the reality that their time in the spotlight has passed. Now it’s up to their daughters. What a fitting end to their journey, as they look to the next generation of Bill and Ted to keep the music going. – Chris E. Hayner

Rick and Morty Season 4

Rick and Morty Season 4 had a strange cadence, releasing half in 2019 and half this year. Uneven as the season was as a whole, the latter provided some of our favorite Rick and Morty episodes yet. The Story Train in “Never Ricking Morty” took meta to a new level, while “The Vat of Acid Episode” provided one of the funniest and most hard-earned pay-offs in the show’s history. Plus, we got the long-awaited return of Tammy and Phoenixperson in the finale. What more could you want? – Mike Rougeau

Palm Springs

Andy Samberg was once known for rapping about his private parts and mugging for the camera, but he’s slowly become one of the most entertaining and underrated actors in Hollywood. Nowhere is that more apparent than 2020’s Palm Springs, a movie we’re afraid to even describe lest we spoil the twist. Samberg takes an inherently silly concept and, with help from co-star Cristin Milioti, turns it into a smart, funny, and touching metaphysical love story. – Eric Frederiksen

Love and Monsters

There’s a specific horror-comedy formula that was made popular by movies like Zombieland where a plucky protagonist survives an apocalypse and helpfully breaks the fourth wall to narrate their experience to the audience–it’s not exactly the most groundbreaking take on the genre, but it’s certainly a charming one, which is why this year’s Love and Monsters works so well. In a world where humanity was driven mostly underground or into various other bunker-style survival camps because the surface world was taken over by giant mutated monsters, Dylan O’Brien plays Joel Dawson, a 20-something who’s handling the new world pretty well, all things considered. Except for the fact he’s the only person in his little survival group that is sorely lacking a significant other. He sets out on a quest to brave the surface land in search of his high school sweetheart who he’s only had brief contact with on the radio since everything went to hell and, along the way, learns some valuable lessons about both love and monsters. Also don’t worry, the dog doesn’t get hurt. – Mason Downey

Movie Poster For Tom Holland’s Cherry Was A Mistake, One Hilarious Mistake

Apple TV+ has put out some pretty fantastic originals so far. From the comedy series Mythic Quest and Ted Lasso to the Beastie Boys documentary and the Tom Hanks movie Greyhound, there is a lot of watch. Very soon, Apple TV+ has a Russo Brothers movie starring Tom Holland coming out called Cherry. However, you wouldn’t know that was the title from a poster circulating on social media.

With the poster for the upcoming March 12, 2021 film, people on social media are trying to figure out what this movie is called because the font is unreadable. According to Next Big Picture podcast host Will Mavity on Twitter, this comes from the print edition of Variety. It’s a “For your consideration” ad taken out by Apple. What is easily confirmed about this is that it’s a bad poster. Check it out below.

No Caption Provided

When I first saw this, I broke down the font to its basics and the font should have read “Oihierkk,” an easily pronounceable movie title. At a quick glance, it could even be called Cherkk, which isn’t too far off from the actual title. However, “Cherry” was the least plausible of all the guesses, as there is no way that “k” on the end is supposed to be a “y.”

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So, I Have Some Good News And Bad News About Roku’s HBO Button

At the start of the year, I lamented the loss in functionality of one of my Roku remote’s buttons after Sony shuttered its PlayStation Vue streaming service. As it happens, this turned out to rank rather low on the list of 2020’s biggest problems, but I return to you this December with both good and bad news.

I’ve recently begun using the Roku remote from another device, my Roku Ultra. It works a lot like my Roku Streaming Stick+’s remote, albeit with a much bulkier frame that makes me feel as if I’m holding a deeply stale Twinkie (I’m not sure if that’s a physical state that a Twinkie can attain, but hopefully you understand). It also has added A and B buttons that are oddly positioned. I don’t know what they do, but they are new and different from what I’m accustomed to, and thus they frighten me. I don’t plan to investigate the situation further.

Above those two is the standard layout of four buttons that jump you directly into an app. Netflix and Hulu are both welcome as such prominent streaming services. A third is for Sling, a service that I do not subscribe to, thus making it function as nothing more than an advertisement. So that’s not great. But, on the bright side, it at least continues to exist, and so I begrudge it less than I do the continued blight that is the Vue button on my other remote.

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Genshin Impact Events Begin Alongside New Patch

Developer Mihoyo has revealed a handful of Genshin Impact events and wishes that are now live on Nintendo Switch, mobile devices, PC, and PlayStation 4 following the game’s version 1.2 update. Each has a different end date, with one of them extending into February 2021.

The headlining event is The Chalk Prince and The Dragon, which sees the introduction of the sword-wielding Geo alchemist Albedo and gives players the chance to get the four-star sword Festering Desire for free until January 1. Those looking to score a five-star version of Albedo can participate in his Secretum Secretorum Character Wish Event until January 12. And smashed in between both of these events is round two of the Adventurer’s Booster Bundles, a package that usually contains an assortment of goodies like Genesis Crystals, Mora, and XP.

A Character Trial Event featuring Albedo, Bennett, Fischl, and Sucrose is also live until January 12, providing players with a fixed team in order to complete challenges for various reward.

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