Bleach Spin-Off Burn The Witch Expands The Universe

It’s always interesting to see what a creator does next after their hit series ends. Tite Kubo, the author of Bleach, took the route of publishing a 2018 one-shot, Burn The Witch, and set the new story in an extension of the Bleach universe. Burn The Witch casts two witches, Noel Niihashi and Spangle Ninii, as the protagonists, and they work for the Western Branch of Soul Society in Reverse London.

It was recently announced that Burn The Witch will receive an anime film adaptation this fall, and a new teaser trailer was released on March 20. Studio Colorido will produce the film, and director Tatsuro Kawano will helm it. Burn The Witch will also get a short run in Weekly Shonen Jump at some point during the summer. You can read the Burn The Witch one-shot for free on Viz Media’s website.

Also, if you’ve missed the chatter on Twitter, Bleach’s Thousand-Year Blood War arc is finally getting an anime adaptation. The Thousand-Year Blood War arc features Ichigo and the gang (the entire Soul Society and a few Espadas, actually) facing off against another megalomaniac villain. This time, it’s Yhwach, the founder of the Quincys and son of the Soul King.

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Netflix’s Ghost In The Shell: SAC_2045’s Final Trailer Is Upbeat And Still Very Much CGI

Ghost in the Shell has received multiple spin-offs and adaptations, almost too many to keep track of, but Netflix’s upcoming Ghost in the Shell: SAC_2045 will be a visually memorable one. Matoko Kusanagi is still the protagonist, but she’s CGI-ed. And of course, everything else is CGI’ed too.

The CGI style is not surprising since Netflix has pushed a variety of CGI shows in their original anime programming. (Beastars and Leviathan are two examples.) But to apply CGI to a classic like Ghost in the Shell and an iconic character like Matoko Kusanagi is a striking decision on Production I.G. and Sola Digital Art’s parts.

SAC_2045 will also still follow the exploits of Public Security Section 9. In the final trailer (and past trailers), it appears the Major and her team’s mission is to take down a guy who’s a “post-human” and an organization with a thirst for anarchy. Tonally, the final trailer suggests that the show won’t carry the grittiness and quiet unease of previous entries in the franchise. The soundtrack is upbeat, colors bright, and the characters, as pointed out by the video comments, look younger than the originals.

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