Wonder Woman Director Reveals The Real Reason She Quit Thor: The Dark World

Marvel originally hired Patty Jenkins to direct Thor: The Dark World, following her Oscar-winning movie Monster starring Charlize Theron. However, Jenkins dropped out just three months after joining the project, citing “creative differences.” But now, years later, Jenkins is speaking more about why she quit the movie, and it’s now plain to see why did not want to be a part of it.

She told Vanity Fair that she was wary to direct the movie because the script wasn’t good enough. She feared that, if the movie was a dud, people would blame her.

“I did not believe that I could make a good movie out of the script that they were planning on doing. I think it would have been a huge deal–it would have looked like it was my fault,” Jenkins said. “It would’ve looked like, ‘Oh my God, this woman directed it and she missed all these things.’ That was the one time in my career where I really felt like, ‘Do this with [another director] and it’s not going to be a big deal. And maybe they’ll understand it and love it more than I do.”

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James Bond Is Coming To Amazon Next Month So You Can Hunker Down And Marathon Them

Amazon Prime is adding all of the classic Bond films to its library this April. Now is the perfect time for a movie marathon, what with everything cancelled and being forced to remain indoors at all times. If you’ve never seen the old Bond films, it’s definitely worth seeing at least some of these titles just to say that you have, like watching The Godfather or Citizen Kane.

In case you are new to the franchise, there is an enormous amount of material to start making your way through, although the Daniel Craig films are not include–it’s every Bond from from 1962 to 2002.

Here is a full list of all the Bond films being added:

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Star Trek: Picard Season 1 Review – All Good Things

Star Trek: Picard’s best aspect is also its biggest issue: It has one foot firmly in the past of the long-running sci-fi franchise, and another in a more modern, darker present. The show is a big, fan-servicey return to the story of legendary Starfleet captain Jean-Luc Picard (Patrick Stewart), complete with visits from a few beloved characters along the way, and no end of Easter eggs and references that often feel like high-fives to the dedicated viewers who’ve been enjoying the sci-fi franchise for decades, especially in the mid-1990s. Throughout its first season, it often works to update those series, reimagining some of their best ideas through the frame of the modern world. Though it can get bogged down in its attention to Treks of the past, Picard is a darker look at a future that challenges the franchise, not by just telling the stories of great people doing great things–but by amplifying their flaws and forcing them to choose to be better.

Picard picks up the story of Jean-Luc 15 years after he’s suffered a major failure: He attempted to lead Starfleet in an enormous rescue to save the endangered Romulans, the Federation’s oldest enemies. An immense tragedy, the destruction of the Starfleet’s rescue fleet, led to the Federation abandoning the plans to save the Romulans and Picard’s resignation in protest. More than a decade later, the series finds him languishing in his French vineyard, while Earth’s branch of the Federation has become isolationist and bigoted. Hardship and injustice have festered, especially against synthetic lifeforms, the apparent perpetrators of the tragedy–and Jean-Luc has done little in the intervening years to stop it. That’s a stark contrast to the unwaveringly principled captain seen in The Next Generation, which makes it a perfect starting point for Star Trek: Picard.

Picard is shaken out of his complacency with the arrival of Dahj (Isa Briones), a young woman being hunted by Romulan assassins, on Picard’s doorstep. Dahj turns out to be a synthetic created in violation of the ban from the remnants of Data (Brent Spiner), Picard’s former android crewmember and old friend, who died to save Picard’s life. Stirred by his loyalty and friendship for Data, Picard takes it upon himself to protect Dahj and her sister, Soji, gathering a ragtag crew and taking to the captain’s chair one last time.

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Below Announces Release Date For PS4 Version And Explore Mode Update For Easier Adventuring

Below, Capy’s unrelentingly difficult 2018 roguelike exploration title, is coming to PlayStation 4 on April 7 for $25. As previously announced, it’ll come with a new mode that will make the game more palatable for players who did not enjoy the level of challenge offered up in the original release, and Xbox One and PC players will get that mode as well in a free update.

Explore mode will lower the game’s difficulty without eliminating it, so players should still find it challenging–just not quite as difficult as the default mode (now called Survive mode).

Here’s the full list of changes in Explore mode, as outlined on Capy’s website:

Changes to Survival

  • No Hunger or Thirst
  • Can’t drink puddles or bottles
  • Bottles still need to be filled with water for cooking soup
  • Soups restore health
  • Death’s door teleport to island
    • Avoids the issue of jumping down without enough lamp juice to open the door

World Entity changes

  • Fire Pillars
    • Chance to drop embers
    • Fires don’t burn out until you die
    • Invincible, can’t be broken with bombs
  • No one-hit deaths
  • No iron maiden

EXPLORE Damage Changes

  • All damage is bleed damage, giving the player time to stop the bleeding
  • EXPLORE Checkpoints/Campfires
    • Don’t clear after use
    • Still only one active at a time

Mode-specific Saves

  • New Save slot for EXPLORE
  • New SURVIVE mode on main menu (original mode)
    • Existing progress saved as SURVIVE mode slot

Below received a 6/10 in GameSpot’s review, and it was criticized for the way it will “eventually turn into a slog for all but the most committed of players.” Explore mode has the potential to mitigate some of these complaints. It was initially available on Xbox Game Pass, but has since left the service.