The Walking Dead: “Stalker” Review

Warning: Full spoilers for The Walking Dead episode “Stalker” follow…

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“Stalker” was a solid, intense mid-battle episode that pitted Daryl against Alpha and Alexandria against Beta. By, “mid-battle” I mean one of those gripping action-y episodes that’s meant to break up some of the solemness and kick up the excitement while we wait for things to finally get settled in the season finale.

Like how Rick and Shane had their big confrontation in Season 2’s “18 Miles Out” that didn’t solve anything. Or how Rick and Negan clashed in Season 8’s “The Key.” You know how it goes. No one of consequence dies, the stakes kind of remain the same, but we get some cool fight scenes.

Daryl and Alpha may have gotten pretty thrashed here, but “Stalker” was still a zero-sum entry. For the most part. There was some movement, story-wise, so let’s look at what managed to creep through.

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Gamma Quadrent

With no tricks up her sleeve, Gamma — real name: Mary from Santa Monica — effectively left the Whisperers and joined up with the main cast of heroes. As far as we, and Gabriel, can tell, she’s on the up and up. She’s also got the best vote of confidence of all – the approval of Judith, who began speaking to her when she was locked up in the Negan cell. If Judith starts peeking down at you, you’re pretty much in.

The other big reason Gamma’s now in (are we going to just call he Mary from now on?) is because she went toe-to-toe with Beta, who crept into Alexandria via a secret tunnel housed outside in an RV. Could she take him? Of course not. But her trying, and Rosita seeing her trying (and her actually saving Rosita’s life), were big steps toward leaving her old gross worm-eating life behind.

Now we’ll have to see how they’ll differentiate Mary’s story as a former-Whisperer newcomer from Lydia’s. Will she get the same treatment? At least she’s off to Hilltop.

Of course, I’ll have to eat my words if this is all just another giant long-con by the Whisperers. Hopefully, the show won’t do this considering what we just went through with Siddiq and Dante. Plus, I already care about Mary more than some of the last round of newcomers and this group needs more people that viewers actively give a s*** about.

Also, I do like the idea of redemption in the zompocalypse. I like envisioning a future crew consisting of Negan, Mary, and a few others who used to belong to terrible, ghoulish communities. It’s one of the themes Fear the Walking Dead played around with nicely the past few seasons.

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Rosita, Gabriel, and  Alexandria

Gabriel’s romantic pairing with Rosita still seems a bit off, but this darker, grittier version of Gabriel, as the man who strangled a dude to death recently, is a much more interesting layer than we’ve ever gotten from him. He harsh, and willing to kill with impunity, but he’s not all the way gone. Like, Rosita called him out for being erratic, but he was still wise enough not to kill Gamma in the end when it totally looked like she was in cahoots with Beta.

Having to deal with, and contain, Gamma, for safety purposes, actually did a lot to make Rosita and Gabriel feel more like a couple than usual, but mostly it just helped them more like vital contributors to the story overall. Also, it was interesting to learn, because time seems to blend up into a blur, that Siddiq’s death only happened “two days ago” in show time. I guess I thought it’d been longer since Eugene seemed to arrive there fairly quickly from Hilltop.

Bottom line, it felt good to watch Rosita take on Beta. It lent to the forty of the episode as a whole and helped paint Rosita with an extra layer of courage after she had that dream about Whisperers going after little Coco. Also, she was “safe” from being killed off here since Beta already spent his big kill by “Jason from Friday the 13th Part VII’ing” that blonde woman down in the prison cell.

And, with regards to the “Alexandrians kicking round after round of walker ass” montage from the first part of the season, when Alpha was launching her herd at the town in spurts, we revisited two citizens, two bro-beans, who openly discussed making a game out of killing Whisperers. But this time, one of them didn’t want to eff around. He wanted to take them seriously as a threat. So that was cool to see, since the BSG “33”-style kill collage made the stakes feel super low at the time.

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The Return of Lydia

As we already figured, Daryl and Lydia make the perfect pair. Not romantically, obviously, and not just because they both had rotten and traumatic childhoods, but because they both can survive out in the woods eating twigs and sleeping in mud. Daryl, at his most reclusive, was very Whisperer-adjacent.

Anyhow, he was out in the woods this week, stalking Whisperers (one of whom was Alpha), asking “WHERE ARE THEY?” Can we assume he’s looking for Connie and Magna? How would Alpha know where they are? Were they taken? Is Daryl looking for a secret way back into the caves? Or was Daryl searching for Alpha’s camp, for revenge? None of that was clear, but he was out to take down a few grossos, that’s for sure.

And then it al came down to him vs. Alpha, which ended in a draw after they both seriously wounded each other and then Lydia came in to sweep up the mess. At first, Lydia’s arrival, to a bleary Alpha, felt like a dream, and we were meant to question her realness for a while. It wasn’t until we saw her with Daryl at the end that her presence was actually confirmed.

The Simpsons: “Bart the Bad Guy” Review

Warning: this review contains full spoilers for The Simpsons: Season 31, Episode 14. For more Simpsons news, find out what to expect from the new short film premiering with Pixar’s Onward and why actor Hank Azaria will no longer voice Apu.

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As nice as it is to know the X-Men and Fantastic Four can finally start appearing in the MCU, Disney’s recent purchase of 21st Century Fox raises all sorts of concerns about a massive, monolithic corporation becoming that much larger. With that in mind, it’s been refreshing to see the folks in charge of The Simpsons are unafraid to bite the hand that feeds them, making fun of their new corporate overlords at every opportunity. The fact that many of the biggest names in the MCU are not only content to be spoofed, but willing to actively participate in said spoofing, suggests that maybe the House of Mouse isn’t entirely un-receptive to constructive criticism. And if that makes for an unusually strong installment of The Simpsons, so much the better.

I always get a kick out of seeing The Simpsons make fun of superheroes and comic books, mostly because it’s not a path the show treads all too often. It’s one of the rare areas where you don’t immediately get hit with a feeling of “been there, done that.” The first 10 minutes of “Husbands and Knives” is among the best Simpsons content of the 21st Century exactly for this reason, giving us classic gags like “Watchmen Babies in… V for Vacation.”

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“Bart the Bad Guy” doesn’t necessarily stand out in that regard. This episode doesn’t really serve as the scathing takedown of the MCU and superhero genre fans might be expecting. But that clearly wasn’t the goal in this case. The writers seem to realize that they’re hardly the first to lampoon the MCU and the current superhero monoculture. Heck, The Simpsons isn’t even the first animated sitcom to introduce an Avengers ripoff team dubbed The Vindicators (Rick and Morty says hello). The fact this episode spoofs Avengers: Infinity War more so than Endgame shows how long the lead time for these episodes is and how futile it would be to try and be as timely as something like South Park.

Instead, “Bart the Bad Guy” focuses less on superhero movies themselves than the spoiler culture that surrounds them. That allows the show to dust off one of the oldest tropes in the Simpsons playbook – Bart being torn between torn between good and evil as he pranks the town – and make it feel fresh again. This is actually one of the better Bart-driven episodes in recent memory. Watching him torment Vindicators fanboys like Principal Skinner and Comic Book Guy is very entertaining, particularly with the Comic Book Guy scene drawing on Fellowship of the Ring’s big Galadriel scene. The rest of the family are used sparingly but effectively. We get another reminder that Lisa’s high-minded ideals sometimes take a backseat to her more selfish desires, while Homer’s utter indifference to superhero movies makes him both an amusing foil and a fitting ally to Bart.

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Bart’s arc veers in a surprisingly heartfelt direction over the course of this episode, as two ruthless Disney execs (voiced by Joe and Anthony Russo) trick him into thinking his actions have doomed an entire universe. It may be silly and more than a little over the top, but Bart being given his hero’s test and passing it is a genuinely touching moment. That’s followed up by a pitch-perfect parody of the ending to A Christmas Carol, as the pop culture nonsequiturs continue all the way to the finish line. Again, Bart being tempted by evil and redeeming himself the end is something we’ve seen countless times over the past 30 years, but this episode manages to find a novel way of retelling that story.

And even if this episode is fairly light on MCU humor, the impressive voice cast is worth the price of admission alone. Kevin Feige delivers a disturbingly dead-on impression of Josh Brolin’s Thanos as he plays the evil tyrant Chinnos. I actually had to double-check and make sure Brolin himself wasn’t part of the cast. The Russos are plenty entertaining in their brief roles as the Disney executives (kudos for the use of “When You Wish Upon a Star” when their bomb is deactivated). Taran Killam is also a hoot as Airshot, a character who seems more Hugh Jackman parody than Jeremy Renner. And if that weren’t enough, we even get an unexpected Joe Mantegna appearance as Fit-Fat Tony butts heads with Spoiler Boy.

Knives Out Almost Didn’t Get Daniel Craig As Its Star

One of the most delightful parts of Rian Johnson’s black comedy Knives Out–aside from Chris Evans’ sweater–was Daniel Craig’s famous investigator Benoit Blanc, and his over-the-top Southern accent. A new interview with director Rian Johnson has revealed that casting happened only due to serendipitous circumstances with Craig’s role as James Bond.

In an interview with The Hollywood Reporter, Johnson revealed new details about the making of Knives Out. The quirky murder mystery was made on an unusually quick turnaround–Johnson said he started writing in January 2018, had a first draft by mid-year, a more finalized draft to send out by September, and then signed Daniel Craig on and started shooting within six weeks.

While Daniel Craig was top of the list to play Blanc, it almost didn’t work out with the English actor’s Bond commitments. Johnson said he purposefully didn’t write Blanc with any one actor in mind, just in case scheduling clashes made the casting impossible. However, Johnson says that “the Bond movie pushed like, three months” at just the right time, freeing up Craig for shooting on Knives Out.

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