Wolverine’s New Comic Was Worth the Wait

It’s been nearly six years since the original Wolverine has had a monthly, ongoing comic series to call his own. He’s spent the majority of that period dead, with successors like X-23 and Old Man Logan stepping in to fill the void. But even after Wolverine’s return in 2017, the character has been strangely sidelined. His journey has mostly continued in smaller-scale projects like Return of Wolverine and Marvel Comics Presents. Given the Wolverine burnout that existed prior to his death, Marvel perhaps decided to wait for the right time to put him back in the spotlight. Well, the time is right now.

Like all new X-books launching within the last six months, the latest volume of Wolverine spins directly out of the Dawn of X status quo. Writer Benjamin Percy is also responsible for the current volume of X-Force, so it should come as no surprise that this series reads like a direct offshoot of that book. Tonally, it’s very similar, and even many of the X-Force members play supporting roles. Yet the book does just enough to distinguish itself and not feel overly redundant. The series hits a sweet spot similar to that of Larry Hama’s Wolverine run. It dovetails in and out of the X-Men’s orbit, showing us what happens when Wolverine stops trying to be a team player and gets his hands dirty.

821999._SX1280_QL80_TTD_

The $7.99 price tag may seem daunting, but Percy and artists Adam Kubert and Viktor Bogdonavic certainly give readers their money’s worth. The book clocks in at well over 60 pages comprising two full-length stories. It’s a hefty dose of Wolverine to start off the new series, and that does ultimately work in the book’s favor. Had Marvel only printed the first story from Percy and Kubert, the series might have had a harder time establishing a clear hook. Of the two, Percy and Kubert’s story is a little more disjointed, jumping between multiple timelines and focusing as much on a CIA agent character as it does Logan himself. It also flirts with being too X-Force-focused for its own good. Fortunately, Percy and Bogdonavic’s followup story helps balance out the book and provide a more classical, narrowly focused Wolverine tale full of globetrotting and stabbing.

Even when the plot becomes too unwieldy, Percy’s characterization is generally enough to make up for it. He doesn’t necessarily break the mold with his narration-heavy approach to Wolverine, but nor does he resort to the tired old tropes like “I’m the best there is at what I do…” Percy succeeds in painting his protagonist as a worldly fighter with an appreciation for adventure and romance, yet also a fear of losing his edge in the utopia that is Krakoa. We also get a sense of the friction that comes from inviting many of the X-Men’s worst enemies to live as brothers and sisters in the new mutant nation.

Logan’s interpersonal relationships – both with familiar X-Men and with new characters – are often the driving force of both stories. The real shame in Logan taking such a back seat in recent X-Men storylines is that we haven’t really gotten a chance to see him reconnect with characters like Jean Grey and Kitty Pryde. This issue helps make up for lost time, with both characters making brief yet memorable appearances in the lead story. The Logan/Kitty material is especially great at highlighting their long, shared history and Kitty’s profound evolution. And if any X-book is going to clear things up as far as that weird three-way relationship Wolverine, Jean and Cyclops seem to have going on, it’s this one.

[widget path=”global/article/imagegallery” parameters=”albumSlug=20-most-anticipated-comics-of-2020&captions=true”]

Both Kubert and Bogdonavic deliver top-notch Wolverine art in their respective stories. Kubert, along with his brother Andy, basically defined the look of Wolverine in the ’90s, so having him on an ongoing series again is quite a treat. Not that this issue is particularly ’90s-esque in its visual style, but Kubert still has a knack for exploring the darker side of the X-Men line. Bogdonavic is a fitting companion, with a style that manages to feel cohesive while also bringing its own flavor to the table. His story offers a satisfying blend of superhero action and horror, making the most of an unexpected yet completely fitting choice of villain. It helps that both stories have a similarly muted, unsettling color palette that helps tie them together.

PAX East And Other PAX Events Will Go Forward Amid Coronavirus Concerns

Reed Exhibitions, the company that organizes PAX and other events in the gaming and entertainment spaces (among other industries), has issued a statement regarding the Coronavirus. The group says all of its events are still planned to go forward “unless otherwise advised.”

This includes PAX East, which takes place starting next week in Boston, Massachusetts. Gaming giant Sony recently announced it was pulling out of the show, and canceling the world’s first public hands-on with The Last of Us: Part II, due to concerns around the virus.

“PAX East 2020 will take place as scheduled with enhanced cleaning and sanitization across the show, including adhering to the recommendations set forth in the U.S. EPA’s Emerging Pathogen Policy regarding cleaning disinfectants effective against the COVID-19 virus,” reads a statement on the PAX East website.

Continue Reading at GameSpot

Mount & Blade 2: Bannerlord Finally Hits Early Access In March

After a long wait and a period of silence, we finally know when we’ll be able to play Mount & Blade II: Bannerlord. The game, last seen at Gamescom 2018, will enter Early Access on March 31, developer Taleworlds has announced. This Early Access release window was promised back in August 2019, but it’s nice to have the date confirmed.

The game will cost $49.99/€49.99/£39.99.

The sequel to Mount & Blade: Warband (which is actually, chronologically, a prequel) was first announced in 2016, so fans of the original (released in 2010) have been waiting a long time. Like its predecessor, this is an action-RPG with some strategy elements, that can be played alone in its campaign mode or online against other players.

Continue Reading at GameSpot

New PUBG Patch Live On PC–Everything You Need To Know About Update 6.2, Team Deathmatch Mode

The latest big update for PlayerUnknown’s Battlegrounds (PUBG) is now live on PC, and will be making its way to the Xbox One and PS4 versions of the game soon. The major highlight of this patch is the new team deathmatch mode, which allows for eight-on-eight gunfights across seven different arenas taken from the game’s maps. The mode, which has been added as part of the game’s sixth season, is available through the Arcade menu.

Victory in a round is decided when a team hits 50 kills, or by which team has the most kills after 10 minutes, and a team needs to win two of three rounds to secure the overall win. Players can respawn and earn points for both kills and assists, which can then be used to restore health if you go five seconds without receiving damage. There are no knockdowns or friendly fire.

Changes have also been made to grenades, with the patch notes noting differences across every different kind. Here’s what to expect.

Continue Reading at GameSpot

You Can Win A Custom Warface Nintendo Switch*

No Caption Provided

Warface surprised us with its arrival on Nintendo Switch this week. To commemorate the occasion, we are partnering with My.Games to give our readers a chance to win a custom-skinned Switch and a copy of the free-to-play FPS.

To sign up for a chance to win, you have to be a legal resident of the US, Canada, or Puerto Rico, read our official rules, accept the terms and conditions of the giveaway, and fill out the form below. If you are not seeing the form, please make sure your ad blocker is disabled and refresh the page.

Continue Reading at GameSpot

Captain Tsubasa: Rise Of New Champions Shows Wild Anime Story And Moves In New Trailer

Captain Tsubasa: Rise of New Champions is a different take on soccer from what the likes of FIFA 20 and PES 20 offer, letting players tap into the power of anime. A new trailer has been announced for the game’s story mode, showing off not only some of the game’s more melodramatic plot elements, but also the character-specific super moves that you’ll get to use and play against.

The trailer emphasizes the importance of working as a team, and shows off the cast of characters that will likely be familiar to fans of the franchise.

The trailer is the game’s second, following the earlier announcement trailer. We also have footage from a hands-on session with the game, which is due to release on Switch, PS4, and PC later in 2020.

Captain Tsubasa’s manga has been running, under different names, since 1981. The most recent incarnation is Captain Tsubasa: Rising Sun, which is now printed in the new Captain Tsubasa Magazine. It has also been adapted into multiple anime series.

Continue Reading at GameSpot

Bleeding Edge Review in Progress

Awash in a neon cyberpunk aesthetic and built around flexible third-person brawling, Bleeding Edge oozes style from the seams. This 4v4 objective-based action game wears its heart on its sleeve and isn’t shy about comparisons to Overwatch, but it tips its cap to Street Fighter just as much. After sinking 10 hours into the closed beta this past weekend, I’m sold on its ferocious close-quarters battles and diverse lineup of characters, though Bleeding Edge still needs to work on nailing the camera and ranged combat, and encouraging good team composition.

Nothing piques my interest in a hero shooter quite like a colorful cast of characters, and the weird and often loveable “fighters” of Bleeding Edge scratch that itch perfectly. The limited-time beta, which ran from February 14 to February 17, had 11 playable fighters, each filling either a tank, healer, or damage-dealer (DPS) role with three special abilities, two choosable charged super moves unique to that fight, and lively personalities. They’re an eclectic mix, ranging from Maeve, an Irish grandma who has a habit of cackling at the death of her enemy to Gizmo, the sassy Australian junk-tech with a fondness for building killer robots. Everyone got a test drive, but given the time constraints, I focused on learning the ins and outs of a couple of favorites.

[ignvideo url=”https://www.ign.com/videos/2019/11/14/bleeding-edge-10-minutes-of-new-character-gameplay-xo19″]

My main pick is Daemon, a graffiti artist DPS with a devotion to the blade who quickly rose above the rest in my eyes. He’s an absolute viper who’s able to dash in, slice some poor sod from stem to stern with his sword, then vanish before the rest of the enemy team knows what hit them. Setting the pizzazz aside, Daemon’s playstyle accentuates the fluid, third-person melee combat that makes Bleeding Edge stand out among its hero shooter peers.

Living on the Edge

Bleeding Edge referring to its cast as “fighters” is appropriate because combat sure feels like a fighting game — just with eight combatants rather than two. Uppercut an opponent to the jaw and watch them fly backward into a wall. If they catch you in a combo, use your sword to parry their follow-up, breaking their assault. Falling flat on your butt is no big deal because a get-up attack will quickly put you back in the enemy’s face with force. I beamed from ear to ear at the symphony of chaotic thuds from all the bodies flying about during team fights. There’s even a training mode (a staple of fighting games) where you have free reign to experiment with a fighter’s toolkit on practice dummies. It’s mighty useful.

[widget path=”global/article/imagegallery” parameters=”albumSlug=every-xbox-one-first-party-review&captions=true”]

In a particularly intense match, I realized just how deadly Daemon could be even with the deck stacked against him. Zero Cool, (a character described as a Brazilian pro gamer with a healing touch) was doing a great job of keeping the opposite team alive during team fights. His teammate, Nidhoggr, a black metal guitarist always looking to trade some licks for your life, was serving as a bodyguard for the healer. The pair were keeping watch at a capture point during a game of objective control, while I lurked in the shadows nearby, but Nidhoggr made the mistake of straying a bit too far from Zero Cool. I popped Daemon’s cloaking ability, sprinted in, and unleashed hell on poor old Zero Cool, carving off half of his health bar in the blink of an eye. Nidhoggr noticed me and bolted back, wildly swinging his axe guitar to and fro, but I dodged with a well-timed evade. That’s when I activated Shadow Strike, Daemon’s ultimate, and the rapid series of strikes minced the injured Zero Cool into dust and shaved off most of Nidhoggr’s health, too. He tried to escape, but a couple of shurikens to the back took care of him.

[poilib element=”quoteBox” parameters=”excerpt=I%20realized%20just%20how%20deadly%20Daemon%20could%20be%20even%20with%20the%20deck%20stacked%20against%20him.”]Thrilling melee brawls such as this, unfortunately, come with a big caveat: Bleeding Edge is all about close-quarters combat, so it’s disappointing that the camera struggles to keep up with the lock-on mechanic. It’s incredibly disorientating when your target is bouncing around from one end of the arena to another, making the perspective frantically swing every which way. Even worse, in one instance, the entire enemy team was wailing on me in a corner; naturally, the camera thought it was oh-so-important for me to see the inside of my character model at the time. Of course, lock-on isn’t mandatory, but in my experience, most encounters are a chore without it. When I didn’t lock-on, all I did was fiddle about with the camera, trying to keep up with characters that can quickly zip around.

From 30 to Zero

Usually, healer characters are my jam, but playing as Zero Cool didn’t hold a candle to Daemon for me. In theory, he’s perfect: he’s a ranged fighter, so he experiences none of the camera wonkiness from up-close fights. Unfortunately, Zero Cool is the antithesis to everything fun and fresh about Bleeding Edge. Not once did I enjoy watching a battle unfold from afar, topping up allies with a cliche healing beam, occasionally chipping away at enemies with his pitifully weak pistol. He plays a bit too much like Mercy from Overwatch – specifically, the version of her after she was significantly nerfed.

Zero Cool taught me that ranged combat isn’t fun in Bleeding Edge. Match momentum is about pushing forward, scraping by by the skin of your teeth to secure an objective, and thrashing any fool that gets in the way. So while everyone else was doing just that, I’m stuck observing it all from a medium distance. Close enough to heal, but not far enough away to employ any sort of interesting ranged tactics and too weak to effectively snipe. “They’re too far away!” Zero Cool constantly shouts at me, “I need to get closer.” That insistent barking serves as a reminder that ranged attacks straight up don’t register if you’re too far away. It’s an awkward middle ground, where you shouldn’t be in the thick of a fight, but you’re severely limited tactically at range. The distance seems to vary depending on which fighter you’re playing as, but all the same, Bleeding Edge is not a snipers’ paradise. There was a tinge of irony to Zero Cool’s cries to get closer. I echoed the sentiment internally; not being in the thick of a fight was hideously dull.

[ignvideo url=”https://www.ign.com/videos/2019/12/19/28-big-xbox-games-coming-in-2020″]

Sadly, I had to adopt the healer role more often than I would’ve liked because Bleeding Edge commits the cardinal sin of not having a role queue. Role queues make sure you have a viable team composition by locking a player into a specific role, so if you chose the healing role before entering matchmaking, you must fulfill that role in the next match. If you’ve ever lost a match in the early days of Overwatch because no one on your team was willing to bite the bullet and play something other than a DPS character, you know why the exclusion of a role queue in Bleeding Edge is a massive bummer. Both game types, objective control and power collection, encourage team fights through centralized capture points. Once the teams clash, whichever has the better role balance is likely to be the victor. I begrudgingly had to choose Zero Cool several times for no other reason than my team would get steamrolled by the opposition without that vital healing pillar of the holy trinity.

Even with a couple of blemishes present, I still had an absolute ball with the Bleeding Edge beta when I was able to go on the offensive. Sure, the lack of a role queue is a massive oversight, and I didn’t much enjoy the ranged combat, but I’m excited to clash swords with more of the cast and uncover all their mechanical intricacies in the second beta session that begins on March 13. Be sure to check back for the full review for Bleeding Edge right around when it launches on March 24.

BleedingEdge_ReviewInProgress

Planet of the Apes Director Says Next Movie Is Not a Reboot

The director of the next Planet of the Apes movie has shot down a rumor that claimed he’s developing another reboot.

Wes Ball confirmed that the new movie will be a sequel to 2017’s War for the Planet of the Apes on his Twitter page. Unfortunately, he didn’t drop any other details on what will be the 10th Planet of the Apes movie.

“It’s never been easier for film journalists to actually get in touch with the actual people who actually know… but maybe it’s the point to NOT fact-check these days?” Ball said in a reply to another Twitter user. “Regardless. Don’t worry. I won’t ruin the surprises, but it’s safe to say Caesar’s legacy will continue…”

[widget path=”global/article/imagegallery” parameters=”albumSlug=planet-of-the-apes-visionaries-the-rod-serling-apes-movie-that-couldve-been&captions=true”]

It was first rumored in December that Ball would be directing a new Planet of the Apes movie. The filmmaker confirmed that news on his Twitter that same day and said, “I would only do this if I felt I could offer something special while still honoring what’s come before.”

Ever since the last movie was released in 2017, there’s been a cinematic adventure game, “an often infuriating VR game,” and a graphic novel based on various Rod Serling screenplay drafts of the original movie.

[ignvideo url=”https://www.ign.com/videos/2018/04/11/crisis-on-the-planet-of-the-apes-vr-review”]

In our review of the last Planet of the Apes movie, we said the film capped what is “perhaps the best big-budget trilogy we’ve gotten in some time.”

[poilib element=”accentDivider”]

Petey Oneto is a freelance writer for IGN who will be in a theater on opening day for Planet of the Apes 10.