True Detective Season 3: Theories From Episode 3

We’re three episodes deep into Season 3 of True Detective, and the three timelines all agree on two things: someone isn’t telling the truth about this murder, and someone catastrophically mishandled this case. Who’s to blame, and whether this mishandling was intentional, will be subject of the next five episodes.

What we know is suggestive but inconclusive. Two kids tell their father that they’re going to a friend’s house. Witnesses see them biking away, but they never come home. The son is found dead, his body arranged with his hands clasped in front of him. The daughter, meanwhile, is still missing.

We see this case play out from the perspective of Detective Wayne Hays in three different timelines: the ’80s, when the crime took place; the ’90s, when the police discover a new lead; and the ’10s, when a documentarian interviews Wayne about the murder. Complicating matters is Wayne’s memory, which is failing him in his old age. And it begs the question: how reliable is our narrator? What has he forgotten, or wanted to forget, that will come back to haunt him?

Here are six more theories about Season 3 of True Detective, based on Episode 3: “The Big Never.” And if you liked this gallery, check out our True Detective theories for Episodes 1 and 2.

1. The Memento Theory

One theory currently making the rounds is that at some point–probably during the second timeline that takes place in the ’90s–Walter found Will’s killer and took matters into his own hands.

There’s a couple of clues, all figurative, that point to this possibility. We see, during his dream about his late wife, that he has regrets over something he left in the woods. Is this a clue he overlooked, or did he leave a body in there? We learn from Roland that Walter was a human “hunter” during World War II; they’d drop him behind enemy lines, and he’d come out with “scalps.” Assuming this is foreshadowing, maybe he “hunted” again after discovering the murderer?

Modern day Walter has since lost his memory; he may not remember doing this even if he did so.

2. The “Real Father” Theory

In Episode 2, the documentarian in the 2015 timeline alludes to a bad situation between Julie and her father in the ’90s. But in Episode 3, we see the father, Tom, is alive and sober in 2015. He looks, all things considered, in better shape than we last saw him. His estranged wife, meanwhile, died five years prior in Las Vegas.

So, was the documentarian referring to Tom? Or was she referring to Julie’s “real” father, who we have yet to uncover? We speculated last week that Tom might not be the real father; Tom’s parents certainly seem to think so. It’s nothing concrete, but it’s certainly suggestive.

3. The Substitute Daughter Theory

One of the more compelling theories circulating is that Hoyt Foods–whose CEO founded the Ozark Children’s Outreach Center–is connected to the disappearance. The key is the CEO’s granddaughter, who we hear via expository dialogue, is dead. Perhaps Julie is a replacement for her?

Thus, the bike rides that Will and Julie took, multiple days per week, was to meet up and play with this CEO’s daughter, who was grieving the loss of her real daughter. And maybe the boy died accidentally could have fallen and broken his head on the rocks.

4. The Staged Cult Theory

Let’s continue with this Substitute Daughter Theory. If the boy died accidentally–or if the Hoyts only wanted a replacement daughter and killed the son–then the straw dolls, the ceremonial, and the staged placement of the body were all done to divert suspicion. This way, it would seem like the work of a psychotic murderer or cult rather than the more pedestrian, passionless killing that it was.

This would be an extremely meta contextual twist, as Season 1 of True Detective had an actual cult at the heart of its solution. What if Season 3 is a bait-and-switch of our expectations?

5. The Cover-Up Theory

At the very least, we know the case was not thoroughly investigated–certainly not to the extent that the police officially claim it was. The documentarian points out that multiple witnesses with relevant information were not followed up on, and that an entire lead concerning a black man and a white woman in a nice brown sedan were not admitted into the record.

If the white woman was the CEO’s daughter (it would also explain why she was riding in an expensive car), then the Hoyts would have an interest in covering up this connection. We learned in Episode 1 that the district attorney had political aspirations; perhaps he was paid off to wrap up the case and keep the real culprits under wraps. Either that, or Wayne himself covered up the lead for whatever reason. And now, quite conveniently, he has forgotten it.

It’s also worth speculating if Amelia was somehow involved in this cover-up, for whatever reason. We see that she can flirt with the police officers to gain access to information that others can’t. If anyone can get close to the evidence and testimonies and make some of them magically disappear, it would be her.

6. The Rampage Theory

And lastly, things continue to get worse for “Trash Man” in Episode 3. He’s cornered and beaten with bats, which leads him to go back to his home and pull something, wrapped in a sheet, from a shelf. The way he cradles this package, we’re meant to suspect that it’s a body, perhaps of a small child.

But we know, based on prior flashbacks and his own testimony, that Trash Man couldn’t have possibly done it. More likely, there’s firearms and ammunition under that sheet. The next episode could be a bloody, vengeful one.

Demon’s Souls Director Open To Another Studio Doing A Remaster

Demon’s Souls creator Hidetaka Miyazaki says that a remaster of the genre-defining game is possible, but he’s not eager to get started on it himself. In an interview, the director shared some thoughts on his legacy and the changing nature of Souls-likes, including whether Demon’s Souls could get a remaster similar to Dark Souls.

“It’s like when you write–when you’re younger, you look back on [previous work] and you think, ‘Oh, goodness what was I thinking,'” he told Game Informer. “It’s not that I’m embarrassed, I just don’t like to look at my previous works.”

He also said that he could envision another studio handling the port, even if the idea makes him nervous. “If it was a studio that really loved the original work and really put their heart and soul into realizing it again, then that’s something I would enjoy,” he said. “But it’s really complicated because I have these fond memories. Thinking about the idea of a remaster gives me kind of butterflies in my stomach and makes me a little nervous, so it’s complicated. But I understand there are many users and many players and fans out there who really love Demon’s, so if that’s something they could accomplish with a studio that loved the work, then yeah, I’d be okay with that.”

All that said, he also noted that it isn’t entirely up to him. The decision would be up to the game’s publisher, which was Sony.

“That was the first action fantasy game that I created, or I directed,” he said. “I have fond memories of it, but it’s definitely not my place to say they’ll remaster.”

Miyazaki’s next game is Sekiro: Shadows Die Twice, which takes the Souls mechanics into 16th century Japan. It certainly carries some familiarity with the existing games, but From Software is rethinking some core elements like boss battles.

The Guardians of the Galaxy Get Bigger This Week

With dozens of comic books to choose from, let us show you which are the best coming out this week. Take a look at this list spotlighting our favorite comics that we know are money-well-spent and new books that look cool and are backed by some top-tier talent.

Check out our picks, then head to the comments to let us know what you’ll be buying this week!

Guardians of the Galaxy #1 – $4.99

Writer Donny Cates | Artist Geoff Shaw | Cover Artist David Marquez (Marvel Comics)

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The Magicians Season 4: 9 Things You Need To Know, Straight From The Cast And Producers

The end of Season 3 of The Magicians might have been the biggest game-changer the show has experienced yet. While magic was restored, the Order of the Librarians wiped the minds of the group, leaving them with glamours that have them living mortal lives, devoid of any of the extraordinary powers they’ve been living with.

Now, with Season 4 acting as something of a major reset, fans are going to want to pay close attention–because even with the memory wipes, The Magicians isn’t slowing down one bit. GameSpot visited the set of the Syfy series to speak with the cast and producers about what exactly viewers should expect from the new season and while everyone was tight-lipped about many aspects of the episodes to come, we learned quite a bit.

Take a look at everything we learned while visiting the set of the Magicians ahead of tis Season 4 premiere, from how these new lives will impact the group to what the Monster being on the loose means for everyone to yet another musical episode being in the works. Be warned, though: In true Magicians fashion, things are going to get very weird.

The Magicians Season 4 premieres Wednesday, January 23, on Syfy. Additionally, the series has already been renewed for a fifth season.

1. Let’s talk about that memory wipe.

While we can’t say for sure how long this plot twist of giving most of the group entirely new memories and lives will last, eventually the show has to go to back to whatever it considers normal, right? Well, not necessarily.

While the characters may get their old lives back eventually, they’ll never be quite the same. “What happens is they’re given new identities and then they live those lives for a while,” executive producer Henry Alonso Myers said. “Of course, magic and trouble and danger start to come for them, which will eventually wake them up, but that doesn’t mean the lives they have been living for the last several weeks or months have been erased… There’s stuff that they have learned, there’s stuff that’s different about them, and then there’s also trouble that they’ve caused that’s compounding. It just adds a whole other layer of complication and weirdness to the season.”

2. Dean Fogg’s betrayal wasn’t without reason.

When Dean Fogg (Richard Worth) made a deal with the Order of the Librarians, resulting in the shadowy group controlling magic and initiating the mind wipe, it was easy to look at him as a traitor. However, as the actor tells it, there has to be a reason for it. “I had a feeling he might do something where it would have to maybe almost look like a betrayal, but from Fogg’s point of view, he’s really had to hit the reset button and wrestle control of magic back as much as he can in his hands,” Worth said. Of course, when the Order of the Librarians is involved, it’s hard to tell how in-control Fogg could possibly be.

3. What about Alice?

One character that wasn’t given a new life and memory was Alice (Olivia Taylor Dudley). In fact, as Dudley teased, Alice is going to be very lonely for a big chunk of this season.

“Alice is the only one in the group that doesn’t have a glamor, which is cool but also as an actor, [it’s] not as fun because it would have been so much fun to have another person to play and all that,” she said. “But it’s fine, Alice is like the straight man in the group so it makes sense. But yeah, she’s still at the library jail for a long time actually this season. I did a lot of acting by myself in a room, which is fun, actually.”

4. She is trying to right her wrongs, though.

After attempting to shut down magic once and for all, before finding herself imprisoned in the library, Alice has clearly made enemies of those she considers friends. That choice will mean she needs to do some serious soul-searching and groveling once the time comes.

“This season is kind of her redemption,” Dudley teased. “The whole season is going through and telling everybody she’s sorry for what she did and explaining it and trying to make up for it, because in the end, I think Alice realized that magic is a good thing to have in this… She has a much more complicated relationship with it than everyone else because she’s the only one who was born into it, had it her whole life.”

5. Unfortunately, the position she’s in leaves little room for vulnerability.

While she may be trying to make amends with those she cares about, it’s not going to be easy. “Everyone is pissed at Alice this whole season. So there’s no room for her to be vulnerable because there’s nobody there for her,” Dudley said. “So Alice has to just push through it and buckle down and grit her teeth and take it. Take the punches when they come from everybody. I mean nobody’s happy to see her this year, which is so heartbreaking to Alice, because in her mind and in my mind she’s done nothing wrong, really. So, it’s been a painful journey anytime I’m in a scene with everybody.”

6. What about the Monster?

Another interesting development in the Season 3 finale was seeing the Monster take up residence in the body of Eliot (Hale Appleman). As Myers teased, that twist is going to play out in a surprising way.

“The monster, who inhabits Elliot, has a whole journey that he’s going to go through over the course of the season,” the executive producer said. “He doesn’t even know everything about himself. Part of the fun of that character is that there’s things that he knows and things that he’s trying to remember. And we’re going to discover pretty early on in the season that he is trying to recover some of the things that happened to himself as well because he doesn’t remember a bunch of them. The mystery of who he is and where he comes from and what he’s there for is something that we’re gonna unravel all the way up to the end.”

7. At the very least, the Monster has a BFF.

While it remains to be seen whether Eliot can survive having his body inhabited by the monster, at least the creature has a friend in Quentin (Jason Ralph). Well, at least as close as a friend as he can be, as a monster who wants to unleash his wrath alongside someone with no memory of who or what he is. Strangely, though, it seems like that’s what will make the Monster so compelling. “There’s a childlike aspect to this monster,” co-showrunner Sera Gamble teased.

Now that he’s free from imprisonment, he’s found someone to latch onto, even if that someone has had their memory erased. “Quentin was nice and tried to show him a card trick. So, somewhere in that childish part of his mind, he kinda did the math and realized that this was his new friend,” Gamble said. “That’s kinda as deep as the math goes for the Monster.”

8. There will be another musical.

The Magicians always seems to have a song it wants to sing, and Season 4 will be no different. There is a musical episode coming. Unfortunately, there’s not much we’re allowed to say about it. However, it will center on Margo’s (Summer Bishil) journey through the desert.

“I was telling everybody it was just so soul-fulfilling,” Bishil admitted. “I never in a million years thought I was gonna have that experience on a show. It felt like we were making another movie. Me and the crew and everybody were out there just making some indie film. And I got to not wear makeup and kind of look like myself for the first time.”

9. That’s not the only concept episode in Season 4, though.

While there’s plenty of story to tell in Season 4, that’s not going to stop The Magicians from having a little bit of conceptual fun with its episode formats. In addition to the musical, Gamble revealed a sort of sequel to something the show tried in Season 3.

“The one I’m super excited about this season is kinda companion piece to the ‘Six Short Stories About Magic’ that we did last season, where we really flipped the switch on who… we got make this hard argument about when you think the show is about one thing and it’s not. And we follow a bunch of characters that you wouldn’t necessarily follow. And we tell their stories and reveal how the things that they go through are just as important, if not more important, to the overall story of magic than the people who we think are, say, the protagonists. I think that episode is great.”

That’s all she’d tease about the episode, but our interest is piqued.